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Shaman's Aloha
 
by Judy Winters
 
For over three years Peruvian shamanism has been my forte, with some Native American traditions tossed in from time to time. In the last couple of months, however, I've been asked several times what I know of shamanism Hawaiian style, and about the same time these questions were posed, three books on the subject found their way into my hands. I know that when this kind of thing happens, I'm supposed to learn something from it, so here are my observations:
 
Visionseeker: Shared Wisdom from the Place of Refuge by Hank Wesselman, Ph.D. (Hay House, Inc., 2001, hardcover, $23.95; also available abridged on audiotape for $25). The author is a respected anthropologist, who in the early 1980s while living on the island of Hawaii, had a series of unsolicited visionary encounters with Nainoa, a kahuna (shamanic) initiate, which resulted in his first and second books, Spiritwalker and Medicinemaker. What's especially fascinating about the identity of Nainoa, is that he is Wesselman's descendent 5000 years in the future, living on the coast of California because the Islands are no more, due to humanity's abuse of the environment. Most of the book is taken up with the narration of Wesselman and Nainoa's adventures as they move in and out of each other's consciousness, but along the way the reader gets to meet some of the spirits specific to the Islands, including the fiery, yet dark Pele, goddess of the volcano.
 
One of Wesselman's most intriguing visions involves a young woman, Tehura: “...turning I saw a woman standing backlit in the doorway behind me. She was holding a large, flat wooden bowl or tray filled with what appeared to be fresh lychees.” In their ensuing conversation, Wesselman learns the woman can speak English because “I had a lover, an American sailor who came to my island (Tahiti).“ Several years later, when viewing Paul Gauguin's painting of “The Two Tahitian Women” at New York's Metropolitan Museum of Art, he is startled by the resemblance of one of the women to Tehura. She is holding a tray of lychees and the label on the wall identifies her as Gauguin's mistress, “Pahura.”
 
Visionseeker is more than just a well-told story with a magnificent setting as backdrop. The scientist-turned-mystic author has a message he wants his readers to hear: the shamanic state of consciousness is a state accessible to everyone. Not only that, but it is imperative that we make the evolutionary leap from our materialistic ways into that more fluid state because therein lies the ultimate salvation of our species.
 

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